Fred Benin Bronzes

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Fred Bronze Sculptures
Benin Bronze Sculptor
6th Generation Sculptor
  • Shop:
    4 Abeokuta Rd
  • City:
    Benin
  • State:
    Edo
Bronze
Brass
Silver
British Museum, London, UK
Ethnologisches Museum, Berlin, Germany
Smithsonian National Museum of African Art, Washington, D.C., USA
Cleveland Museum of Art, Cleveland, USA
Museum of Fine Arts, Boston, USA
Fowler Museum at the University of California, Los Angeles, USA
Canterbury Museum, Christchurch, New Zealand
Historical Museum and the ethnographic museums of St Gallen, Geneva, Neuchâtel, and Zurich University
  • Certificate of Authenticity signed by me (Ebuwa Fred Ilhama)
  • Barcode on Certificate validating item
  • Worldwide shipping
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Nwantantay Bwa Plank Mask

$2,995

Nwantantay Bwa Plank Mask

– Nwantantay masks are part of diverse ensembles

of masks that represent animals, insects, humans, and supernatural creatures.

Dimensions

(H) 2.06m (W) 37 cm (D) 13.5cm (at widest point)

Contact us for freight charges prior to purchase as this a large item and not covered by free shipping.

 

Description

Nwantantay Bwa Plank Mask

The Bwa or  Bobo-Wule are an ethnic group indigenous to central Burkina-Faso and Mali.

They are known for their use of masks, made from leaves or wood, used in performative ceremonies.

About 85% of the Bwa population still retain their animist

believes which is reflected in their mask carvings.

This plank mask represents a diminutive ancestor highly respected

as a result of his ability to communicate with Animals.

The masks are danced during initiation ceremonies for young men and

women and appear at funerals and memorial services.

During the fifteen-day initiation ceremony, young petitioners are

taught the meanings of the symbols on the mask.

They learn the importance of becoming a respected Bwa, and the dangers

of straying from the path of social behavior established by the ancestors.

These lessons are symbolically represented on the mask.

These lessons are symbolically represented on the mask.

The double zig-zag line on the plank of the mask represents the path of the ancestors.

The crescent shape on the top of the plank represents the moon and the importance

of time in the ceremonial year when masks are danced.

The checkerboard pattern on the back of the mask represents the value of learning.

When young initiates graduate from the ceremony,

they are given a new white goat hide to sit on during ceremonies.

Years later, the young initiate becomes an elder, and the hide ages to a dark color.

The checkerboard pattern emphasizes the reliance between the elders, symbolized by the dark areas,

and the young initiates, symbolized by the light areas.

Tribal Village supports the ancient arts and crafts of Africa.